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ASC-CDL export allows for basic compatibility with virtually every color grading system, while more advanced formats such as AMF (ACES Metadata Format) or CFE (Colorfront Engine)* can transfer enriched pipeline information. Livegrade can export stored look metadata for a broad range of workflows. The looks created and adjusted on set are highly valuable directly for the camera work (e.g., when making lighting and exposure decision “through” a look preview), but they enfold their benefits especially when shared with others – for instance, for providing looks to dailies creation or VFX. Exporting Looks and Metadata Compatible With Every Workflow. That information can be used to look up camera settings of previously shot scenes, display reference images for consistency of cinematography, or communicate reports to colleagues on set and beyond. Livegrade can record media and collect metadata from a broad range of sources – from the cameras themselves via HD-SDI, through remote network connections, or manually edited by the operator.Īll this information is automatically stored in Livegrade’s shot library together with each look – creating a comprehensive shot log for the entire film project. Comprehensive Shot Library Your Automatic Camera Log. Livegrade offers a flexible color management platform with “grading modes” ranging from basic CDL-and-LUT workflows to dedicated ACES-based pipelines.

Each slot independently features expressive primary grading controls (e.g., ASC-CDL based) for basic color adjustments, as well as additional secondary grading controls (e.g., “versus-curves”) for special situations. Livegrade offers multiple grading “slots” to allow independent grading of multiple cameras. On set, there is not much time for anything, so controls must be spot on, reduced to the necessary, and highly accessible. Interactive Color Grading Tailored to the Film Set.Ĭolor grading multiple camera live signals requires dedicated concepts for the grading application. The visual and technical information generates objective and trusted insights about the connected cameras and their live images. Monitor live camera metadata embedded in the HD-Signal signal and store them in the shot library together with the preview image. Being consistent in different production settings or from lens-to-lens increases the overall quality of the footage. Maintain ConsistencyĬapturing and reviewing reference material and frame grabs from camera live images helps to ensure consistency across your project from scene-to-scene. Being closer to the desired final look already on set ensures that footage looks precisely the way it was intended. Have your looks ready right during the shooting and make them instantly available for the automated dailies creation process – save time and provide better image results to the entire team.Ĭontrol live images via vectorscopes and waveform, keep a constant eye on quality, and make color adjustments on your images as necessary.

Let the team make more informed creative decisions by evaluating the scenes in a richer context with responsive real-time looks and instant access to reference material.

React quickly on the DP’s changes to the stage floor by visualizing and adjusting to the iterations of production settings, camera systems, and lighting conditions.

Achieve desired high-quality images out of every scene by giving the DP immediacy to image control and by removing all barriers to artistic image experimentation.

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Livegrade Pro is the most trusted software in the market that addresses all digital-imaging-related requirements of the camera department. New in Livegrade Pro v6.0: Optimized for HDR, Sony VENICE 2 Remote Grading, and more! What Is Pomfort Livegrade Pro? Get the industry-standard software for live color grading that integrates and controls your digital imaging processes on set – enabling visualization and sharing of the DP’s and Director’s artistic intent. Unrivaled Technical Control for Creative Immediacy on Set

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